The Problem Of Medical Benefits - 2467 Words

In animal and human cloning alike, arguments over ethicality boil down to a matter of medical benefits versus moral concerns. Governmental and social groups are split by the benefits of therapeutic, reproductive, and molecular cloning, which bring their own moral rewards in the preservation of life, and the grey areas cloning brings on matters of protection of morals and individuality. Through cloning technology, medical science will learn to renew activity of damaged cells by growing new cells and replacing them, yet concerns are raised over the possibility of compromising individualities or violating the rights of the cell. Cloning gives the capability to create humans with identical genetic makeup to act as organ donors for each other,†¦show more content†¦As of now, there are three types of cloning, each with their own potentials and moral arguments against. Molecular cloning, also known as recombinant DNA technology, DNA cloning, and gene cloning†, entails the tra nsfer of DNA from an organism to a self-replicating genetic element such as a bacterial plasmid. A bacterial plasmid is a small DNA molecule within a cell that is separated from a chromosomal DNA and can replicate independently. The DNA of interest can then be cultivated in a foreign host cell. This technology has been around since the 1970s, and has become a common practice in molecular biology labs today. Molecular cloning provides scientists with an essentially unlimited quantity of any individual DNA segments derived from any genome. As molecular cloning does not go beyond a molecular level or involve stem cells, there is little that is morally reprehensible about it, and is left alone. Stem cells are a major concern for activist groups in that stem cells come from embryos that are three to five days old. At this stage, an embryo is called a blastocyst and has about 150 cells, which can divide into more stem cells or can become any type of cell in the body. Therapeutic cloning, which is the production of human embryos for use in research, becomes more of an ethical issue in its use of embryonic stem cells. The

Anthropology and Social Work Essay - 2685 Words

Anthropology and Social Work Anthropologists like myself try to figure out why present day humans are the way they are. Meredith F. Small Female Choices Who are we? How old is the human species? Where did we come from? What do we believe and why? Is our own culture the epitome of civilization? What is reality? How have we arrived at a position where destroying the earth doesnt bother us very much? These, and many, many more are the questions that drive anthropologists to study human beings and our interactions. In fact, the presence of a driving question is the seed that creates anthropologists, as we will soon see. Anthropology is the study of humanity. As one might suspect, given the scope of the questions in the previous paragraph,†¦show more content†¦It is quite startling (and exhilarating) to realize that not all people view reality the same way we do, and the only way to fully understand anothers reality is to live it. As Spradley so eloquently puts it: Ethnography offers all of us the chance to step outside our narrow cultural backgrounds, to set aside our socially inherited ethnocentrism, if only for a brief period, and to apprehend the world from the viewpoint of other human beings who live by different meaning systems. (pg. v) There are good reasons to go to all this trouble to learn about different cultures other than for the sake of pure knowledge. By studying other cultures, we can very possibly create innovative solutions to problems that plague our own cultureSHY;SHY;not the least of which is our intense feelings of separation. David Mayberry Lewis (in his film for the PBS Millennium series entitled Inventing Reality) speaks of the Australian aborigines belief that everything in the universe is spiritually connected, which he compares to Western cultural beliefs: Our way is to objectify realitySHY; define it in cut and dried termsSHY; and in so doing we distance ourselves from everything else in the universe. It is a dangerous and sad position. The danger is being certain. Weve all seen the cruelty that proceeds from certainty. Dogma. 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There are social norms that can be found in every culture, the difference from culture to culture is socialization-Read MoreThe Anthropology Of Cultural Anthropology1370 Words   |  6 Pagescultural anthropology, which seeks to understand the purpose and place of the humans in this world. It will include anthropology as a social science, the concept of culture, and it would also introduction the human evolution and to archaeology, ethnographic field methods. The importance of human language, human development, patterns, global economy, marriage and the family, gender issues, global politics and local political organization, social stratification, medical anthropology, ethnicityRead MoreThree Disciplines1097 Words   |  5 PagesThe Three Disciplines all appeal to me in some ways, but if I had to choose between anthropology, psychology, and sociology, I would have to choose psychology. The reasoning behind it will be explained in detail but it can be broken down to three main reasons; being the first discipline with verified results and facts rather than unproven theories, having more post-high school opportunities considering that I wish to pursue a career in business, and being the most in-depth discipline. PsychologyRead MoreWhat I Learned About Anthropology And Learned Valuable Lessons846 Words   |  4 Pagesbut also because they work in my fields of interest. The first interview I conducted was anthropologist Dr. Jason Lind, he is currently a qualitative health researcher for the prestigious Veterans Association. The second interview I had was with anthropologist Dr. Kathryn Kozaiti s, she is currently a professor and chair at Georgia State University. Throughout the process of both interviews Dr. Jason Lind and Dr. Kathryn Kozaitis give me an inside look at applied anthropology and provide me with adviceRead MoreAnthropology Is The Study Of Humanity1576 Words   |  7 PagesAnthropology is the study of humanity. Being an anthropologist is not just about digging up artifacts and studying other people. It becomes more when one takes that information and puts it to good use. However, how this knowledge is used is be up to the anthropologist and results in the occupation being very broad with many different opportunities. During my research, I discovered the basics about the career, how students can prepare for it, the advantages, and the disadvantages of being an anthropologistRead MoreAnthropology : A Study Of Humanity1202 Words   |  5 PagesGenerally, anthropology can be defined as the study of humanity. This includes every aspect of the human condition: la nguage, history, culture, biology, past and present. Anthropology is all encompassing and due to its breadth, it can be considered both a study in humanities and science. However, anthropology is easily distinguishable from both hard sciences and humanities. The aspects that distinguish anthropology lie mostly in the methodology that anthropologists use to study human beings. MethodologyRead MoreAnthropology Essay : The Importance Of Anthropology1622 Words   |  7 PagesThe Importance of Anthropology Anthropology is a scientific field that seems to be largely misunderstood by the general public. Many people hear the word â€Å"anthropology† and think of an old man with a magnifying glass looking at some dusty old fossils. In reality, anthropology is much more broad than archaeology, which people normally associate with it. Forms of anthropology are used in many aspects of daily life from advertising to law enforcement. Anthropology is difficult to define, as it is extremelyRead MoreHow Technology has Changed Anthropology872 Words   |  4 PagesHow technology has changed Anthropology â€Å"Anthropology is the most humanistic of the sciences and the most scientific of the humanities† – Alfred L. Kroeber Anthropology is holistic. Humans are social beings more than anything, but with underlying psychological, biological and cultural connotations. The field of anthropology encompasses everything and anything having to do with humankind throughout history. Anthropology attempts to answer the tough questions about the human condition. What influencesRead MoreWhat Is Human Nature?1735 Words   |  7 Pages1. By observing and analyzing the context of previous time periods, anthropology was certainly not created by accident or mistake. At the end of the 18th century, the Enlightenment period was occurring. This produced two products during the time period. First, humans were able to possess a newfound understanding of general principals in which the world works. They wanted to know all about universal human nature, such as why all human beings are alike. Secondly, out of the Enlightenment, we have an

Duties of a Probation Officer free essay sample

The Daily Duties of a Probation Officer Reggie Haag Everest University Have you ever wondered what the daily duties of a Probation Officer are? Well I am going to tell you what some of them are in this paper. But, first let me give you a brief history on what made me pick this topic. When I was 20 years old I got into a little bit of legal trouble and was put on probation for two years. When that happened I thought that my life was over. But, my probation officer told me that as long as I followed what she told me to do that she could help me get my life back on tract. She made one of the worst times of my life not so bad by working with me every step of the way. So that is why I chose to become a Probation Officer. When I become a Probation Officer my responsibilities are going to be: 1. Casework, 2. Enforcement of probation and 3. Investigation amp; report. Now that you have heard my reasoning on why I want to become a Probation Officer what do you say we get into the first group of responsibilities? The first group of responsibilities is Casework. When I was doing my research I found a big list of daily duties that a Probation Officer has to do. So now I am going to put them into the categories that they belong in. The First duty that fits into this category would have to be: keeping in contact with community groups like Alcoholics Anonymous, Narcotics Anonymous, Good Will and the Salvation Army. The reason that a Probation Officer has to keep in contact with these kinds of places is because the person who is on probation may need help with being an alcoholic or drug addiction or they may need help finding a place to stay or finding some food or they may need some counseling. Another daily duty that falls into this category would be for the Probation Officer would be to stay in contact with local churches and local businesses that may have some work that needs to be done so that the people who are on probation can do their community service hours to satisfy the court and fulfill one of their conditions of probation (Echie,2007). Now that we have gone over the first category let’s get started on the next one. This one is called Enforcement of probation. The first duty that falls into this one would be arresting the person who is on probation for violating the conditions of their probation. Another thing that would fall into this category would be having the person do a drug test to make sure that they are staying clean from any illegal drugs or alcohol. The Probation Officer also monitors the persons desire to stay on probation and get rehabilitated ( Department of Corrections). The next thing that would fall into this area would be that they would bring the probationer in front of a judge to scare the person back to where he or she would get back to fallowing the rules or tell them that they have to go back to prison. Now that we finished the first and second categories let’s get started on the final one. The name for this one is Investigate and report. This category is the biggest one of all of them. The first duty that I am going to list is the Probation Officer has to do is a presentencing interview for the courts to see if the prisoner is a candidate for probation. Then they give the results of the interview to the courts so that the judge can decide whether or not the prisoner can be put on probation. Another thing that the Probation Officer has to do is interview the victim and the family and friends of the person who gets put on probation. Once that is done every so often the probation officer has to make a report and turn it in to the courts so they could get an idea of the probationers progress. The next thing that they do in this category is to have weekly or bi-weekly or monthly meetings with the probationer to find out how they are doing and to collect there restitution payments ( Job description. et). In this research paper I have gone over some of the daily duties of a Probation Officer. We looked at three different categories of the duties of a Probation Officer like Casework, Investigation and report and last but not least Enforcement of probation that I will have to do when I become a Probation Officer. I think that it will be a lot of work to do but I also think that I will be up to the challenge. I hope that I have given you a little more insight into what it takes to be a Probation Officer. REFERENCES: Probation Officer Job Description amp; Care Opportunitieshttp://www. jobdescriptions. net/legal/probation-officer/ The Roles And Duties Of The Parole Or Probation Officer In The Criminal Justice Field by: Kenneth Echie, (2007) http://www. articlecity. com/articles/legal/article_1037. shtml Examples of Duties and Responsibilities http://fldocjobs. com/paths/cpo/duties. html

What is impressionism Essay Example For Students

What is impressionism? Essay What does Impressionism in paint ing really mean? After some forty years of agitated discussion, there exists in the public mind a confusion amount ing to bewilderment in regard to the proper answer to that question. The reason is not far to seek. Critics have been provocative and entertaining, ac cording to their fashion, with a truly journalistic contempt for any short cuts to the truth. They have played with their subject as a cat will play with a mouse to prolong the pleasurable excite ment. George Moore, for instance, pounced upon the truth when he said that â€Å"Impressionism penetrates all true painting and only â€Å"in its most modern sense signifies the rapid noting of elusive appearance.† We will write a custom essay on What is impressionism? specifically for you for only $16.38 $13.9/page Order now Yet he allowed the thought to escape that lie might play with it upon another occasion. What is the result? Ask the average well-informed man you meet what Impressionism in painting really means, and he will reply some what as follows—â€Å"Oh—it’s a new-fan gled French way of painting everything light and airy, and of spilling all the colors of the rainbow—helter-skelter— into the same picture. While resenting the flippancy of the gentleman’s manner, the most enthusias tic critics of the new spectral vision could hardly quarrel with the truth of this statement. When urged to a defini tion of the same subject, Camille Mau claire proceeds to industriously describe the technique of color spots invented by Claude Monet in his attempt to render the shimmer of aerial vibration. Now this method is a typical achievement of the modern mind. Suffice it here to say that, successful as it has been in pro ducing upon canvas subtle verities of light and air, it is at best a brave but crude beginning and only an experiment in the evolution of realistic painting. So engrossed is the painter with his melted outlines, his divided tones, his colored TIHE MUSEUM OF FINE ARTS. BOSTON shadows, that his picture too closely re sembles a scientific demonstration. Colored stenography Huneker called it. orcd stenography,† Huneker called it. It seems hardly credible that learned critics can present any one technique as the embodiment of Impressionism, and to the average mind the word seems alto- gether too big for mere technical adven- ture, however important. Yet by the common consent of painters, critics and public, Monet, Degas and the rest of that group are the Impressionists. The perplexing question is, wherein lies their right to a monopoly of the title? Opin- ions, moreover, seem to be divided whether these artists arc Impressionists because of their methods or because of their motives. Most writers agree with M. Mauclaire that the innovations of palette and brush have earned them the distinction, for these, at least, are indis putably new. Inconveniently, however, the methods of the several painters, in variably grouped together, are widely dissimilar. Som e laid their paint on in gobs, others in shrill, thin washes. If PointiUisme be Impressionism, how can Degas and the earlier Manet claim kin ship with Monet, Renoir, Sisley and Pis sarro? If, on the other hand, this little band of men are Impressionists because they have been drawn together to ex press, each in his own way, transient aspects of contemporaneous reality, how can we forget that the expression of con temporaneous reality has been the un changing purpose of true realists from the very earliest day? As for the tran sient aspects, the new regard for effects of life and light in passing, these things constitute one of the valuable contribu- tions of modern art. But the realistic principle dates back to Giotto. Can it be that learned critics, in cramming Im pressionism into a new, small, pigeon hole, have only thickened the fog of mis understanding that envelopes the name? It is the general belief, a belief diffi cult to wholly eradicate, that Impression ism is peculiarly modern, and that, being modern, it consists very naturally of ego tistical specialisations, and adventur ous experiments in technique. Now, in the first place we forget that other times besides our own have possessed enquiring minds. It is inherent in the nature of man to be curious and experimental. He begins in the cradle by investigating the mystery of his toes, and he. ends by dabbling with Nature’s elemental forces, also with philosophy and machinery and art. .ub19eea0a9188cecdc612335a7468668d , .ub19eea0a9188cecdc612335a7468668d .postImageUrl , .ub19eea0a9188cecdc612335a7468668d .centered-text-area { min-height: 80px; position: relative; } .ub19eea0a9188cecdc612335a7468668d , .ub19eea0a9188cecdc612335a7468668d:hover , .ub19eea0a9188cecdc612335a7468668d:visited , .ub19eea0a9188cecdc612335a7468668d:active { border:0!important; } .ub19eea0a9188cecdc612335a7468668d .clearfix:after { content: ""; display: table; clear: both; } .ub19eea0a9188cecdc612335a7468668d { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ub19eea0a9188cecdc612335a7468668d:active , .ub19eea0a9188cecdc612335a7468668d:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ub19eea0a9188cecdc612335a7468668d .centered-text-area { width: 100%; position: relative ; } .ub19eea0a9188cecdc612335a7468668d .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ub19eea0a9188cecdc612335a7468668d .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ub19eea0a9188cecdc612335a7468668d .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ub19eea0a9188cecdc612335a7468668d:hover .ctaButton { background-color: #34495E!important; } .ub19eea0a9188cecdc612335a7468668d .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ub19eea0a9188cecdc612335a7468668d .ub19eea0a9188cecdc612335a7468668d-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ub19eea0a9188cecdc612335a7468668d:after { content: ""; display: block; clear: both; } READ: Parisienne Fashion and Impressionism EssayDa Vinci wrote learnedly about perspective and colored shadows, and for him, as Pater observed, â€Å"the novel im pression he conveyed, the exquisite ef fect he created counted os an end in itself—a perfect end. What could be more modern in subtlety of suggestion than the Mona Lisa, with her watchful eves, her slow, disquieting smile and that fantastic background of blue-green rocks and interminable rivulets? As for Rem brandt’s soul-searching shaft of golden light, that is but another early instance of the craftsman spirit delighting in the production of â€Å"effects, a spirit destined in our time to become so do minant and so contagious a force. But in the second place, the true Impressionism is not solely concerned with technique, nor is it the gospel of either art for arts sake or truth for truth’s sake.† In the last analysis it is the soul of the painter that counts. Here imitation, be it ever so perfect, will result in a statement of fact such os we may find in any book of ref erence. The personal and spontaneous impres sion, therefore, is requisite in realism no less than in romance. A painting may be a perfect marvel of realistic imitation —vet unworthy to be called art, because lacking the artists testimony of impres sion. In the Walters Collection at Baltimore we may sec side by side two small but characteristic TIHE METROPOLITAN MUSEUM ARTS canvases by Alma Tadema and Jean Francis Millet. The former is entitled â€Å"The Triumph of Titus. It is a triumph of technique. The cold and lustrous sheen of the marble stairs and the variegated textures of apparel and ornament are copied in detail with un erring exactness. The imitation is as toundingly perfect. The adjacent Millet ^presents a flock of sheep, huddled by night, in their fold. They make butla shimmering blur under the misty moon. Nothing is described, nothing defined. And yet, somehow, we can see the rest less stirring of the sheep, we can feel the chill of the air, and we are deeply impressed by the poetic illusion. Now both these pictures are realistic, each in its own way. The way of Tadema was an elaborate and painstaking prose, whereas Millet’s picture is endowed with the directness and simplicity of poetic inspiration. Tadema arrived at his knowledge of Titus and his time through toilsome years of study; Millet saw his vision of the sheep-fold one night and transcribed his impression before his brain was cool. Tadema employed the facts he found in books, Millet the se crets he learned from Nature. Tadema, the scholar, has painted with fastidious precision colorful chapters of ancient history; Millet, the poet-painter, tran scribed with spontaneous and sublime carelessness the peasants from whose midst he came, their fields and flocks, their labor and their love. Both men may be counted realists, but Millet was also an Impressionist. It is my firm belief that Impressionism is not a transient technique, but an an- cient and abiding faith, not merely the sensational production of some revolu- tionary modern painters, but one of the basic principles—I might say the one true philosophy, of all painting. WINTER LANDSCAPE KANO SANSETSU many as are the eyes that see, the hearts that feel, the brains that formu late their conception of visible or in tangible things, so many are life’s real Impressionists. The value of their im pressions varies according to their un derstanding. Even among those whose talents seek expression in the arts, there are all kinds of Impressionists, from the men of lofty genius on the mountain peaks of inspiration, the Michelangelos, and the Rembrandts, to the horde of petty craftsmen who labor in sterile moorlands with an unavailing and un couth endeavor. Midway upon the scale are the radical, experimental Frenchmen we have been discussing, artists who are so enamored of the appearances of ob jects under diffused or conflicting lights, so absorbed in the striving to render visual sensation, that nobility of theme seldom concerns them. .ue69c89640a6176add09b39580764278d , .ue69c89640a6176add09b39580764278d .postImageUrl , .ue69c89640a6176add09b39580764278d .centered-text-area { min-height: 80px; position: relative; } .ue69c89640a6176add09b39580764278d , .ue69c89640a6176add09b39580764278d:hover , .ue69c89640a6176add09b39580764278d:visited , .ue69c89640a6176add09b39580764278d:active { border:0!important; } .ue69c89640a6176add09b39580764278d .clearfix:after { content: ""; display: table; clear: both; } .ue69c89640a6176add09b39580764278d { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ue69c89640a6176add09b39580764278d:active , .ue69c89640a6176add09b39580764278d:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ue69c89640a6176add09b39580764278d .centered-text-area { width: 100%; position: relative ; } .ue69c89640a6176add09b39580764278d .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ue69c89640a6176add09b39580764278d .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ue69c89640a6176add09b39580764278d .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ue69c89640a6176add09b39580764278d:hover .ctaButton { background-color: #34495E!important; } .ue69c89640a6176add09b39580764278d .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ue69c89640a6176add09b39580764278d .ue69c89640a6176add09b39580764278d-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ue69c89640a6176add09b39580764278d:after { content: ""; display: block; clear: both; } READ: Comparison: Claude Monet and Van Gogh EssayThey are Im pressionists to be sure, but they repre sent merely the most recent stage in a gradual and logical development. That astute critic, R. A. M. Stevenson, was, I think, the first to point out that Impressionism in the sense which is com monly accepted to-day received its orig inal impulse from the supreme Velas quez. To him is attributed the practical demonstration of that vital principle which ordains that objects should not be painted as they are known to exist, but as they appear to the momentary and more or less abstracted gaze, under ever changing conditions of light and air. As a definition of the Impressionism of n ine teenth ceritury realists, we shall see how this utters indeed the last word. How ever, if the critic had regarded Impres sionism as an eternal principle rather than as a modern practice, he would have taken for his model not merely the bril liant advances which Velasquez made upon the knowledge of his time, but the complete genius of the man, inclusive of those instincts for decoration and self expression which he inherited from his predecessors. His Shakespearean im mensity lay in his perfect mastery of the dual nature of his art, the decorative and the representative, both interpenetrated by his own taste for color and line on the one hand, and his own vision of his model on the other. Let us, then, formulate new conclu sions, at the sacrifice, perhaps, of favor ite theories. In the first place, Impres sionism can not be said to represent any one technique nor any one way of viewing nature, but, rather, all artistic achievements, whatever the method, in which sincere, spontaneous and forth- right impressions are convincingly ex pressed through the art conceived by the brain, and the craft designed by the hand. In the second place, Impression ism is by no means solely concerned with the naturalistic portrayal of transient aspects of contemporaneous reality. It is quite as high an art and a much more difficult one to give form and substance to one’s fleeting impression of intangible beauty; to sound with Whistler a chord of color; to incarnate with Watts a pow erful thought; or to perpetuate with the painters of old Japan a vanishing dream. Romance yields her impressions no less than realism. Thirdly, Impressionism is not new and strange, but marvelously old. Stevenson said that to visit Velas quez at the Prado wfas to shatter one’s faith in the modernity of modern paint ing. He might less cautiously and quite as accurately have stated that several centuries before this great Spaniard lived, far back in those dim ages of es thetic dynasties at the other end of the world, there existed in China and Japan an art of landscape painting which con tained the essence of Impressionism; that is an art in which the means of expres sion were harmoniously adapted to the artists original emotion. For, after all, Impressionism is synonymous in equal measure with art itself, which is purely technical, and the artistic impulse which is, or should be, inspirational. In its only logical sense it means the giving of definite color and form to single, per sonal impressions. In this sense, then, have not all truly great painters been more or less Impressionists and should not the siirnificance of the term be widened rather than restricted?